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The Synth-Pop Duo's Musical Force Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) created Soft Cell with Marc Almond in Leeds in 1977

Dave Ball, one half of the groundbreaking 1980s synth-pop duo Soft Cell, has died at the age of 66.

Together with vocalist Marc Almond, the team achieved a worldwide hit with their version of Gloria Jones' Tainted Love in the mid-80s, and their first record Non-Stop Erotic Cabaret is regarded as a seminal work of electronic music.

He subsequently formed the innovative electronic act The Grid, who secured chart success with 1994's the hit Swamp Thing.

Ball died peacefully in his sleep at his home in London on October 22, just weeks after performing a headline show with Soft Cell at the Rewind Festival in Henley-on-Thames.

Health Struggles

At that performance, Ball performed in a mobility chair, as he had for the last two years, after a period of health issues.

"I ended up injure myself significantly," he stated in a recent interview. "I fractured lower vertebrae in my back and cracked about multiple ribs and broke my wrist."

Following contracting a lung infection and developing sepsis, he was put in an induced coma and stayed in the hospital for half a year.

Nevertheless, he had been in "high spirits mentally" over the summer, as he was developing a fresh record with Almond, titled Danceteria, which is scheduled for publication next year.

"He was focused and so happy with the latest project that we actually completed only a few days ago," stated the vocalist in a heartfelt message.
"It's so sad as next year was completely planned to be such an positive time for him, and I find comfort from the fact that he heard the completed album and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the forefront of the electronic music scene in the beginning of the decade

Heartfelt Messages

Almond described his collaborator as "an exceptionally talented creative mastermind", adding: "He was the core essence of Soft Cell and I'm extremely pleased of our legacy.

"Thank you Dave for being an immense part of my existence and for the songs you gave me. I wouldn't be where I am without you."

Richard Norris from The Grid, shared his condolences, remembering Ball's "endless laughter" and "unwavering friendship".

"Being in a partnership with someone is different from being in a band, the bond is incredibly close," he continued.
"That's how it was with us. We experienced so many extraordinary, extraordinary, memorable experiences together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in recent years

Early Life

Born into a single-parent household in Chester in 1959, Ball was put up for adoption when he was 18 months of age.

He was raised in the seaside town with his new family Donald and Brenda Ball, who altered his first name from his birth name to his adopted name, together with his younger sister his sister, who was also adopted.

He encountered Almond at an art college in the late 70s, where they were both studying art. Inspired by a mutual passion of a music genre, they established Soft Cell the same year, and quickly produced an extended play.

Creative Collaboration

The pair were an unusual combination: Ball was the quiet technician, hunched over his keyboard, while Almond was a flamboyant performer, all glitter and makeup; but they attained a unique musical alchemy.

Ball had developed a fascination with synthesizers after watching Kraftwerk appear on a television program a popular series, and began to combine moody electronic sounds to the catchy tunes Almond was composing.

Their signature song became the UK's second biggest-selling song of 1981, shifting millions of units globally. Together with hits by Gary Numan, contemporary bands and Ultravox, it contributed to cleared the way for the synth-pop sound of the 1980s.

The song was also featured on their first album, Non-Stop Erotic Cabaret, which spawned two further top five singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the stand-alone single, Torch, which peaked at number two in the following year.

Soft Cell in the studio
The duo were working on fresh songs right up until Ball's death

Career Highlights

Success had its upsides. "I loved being able to purchase my first home, having financial security and travelling, which makes me sound like a beauty queen," Ball not long ago shared with a publication.

But it also presented problems. "Sudden riches allowed we could afford substances to relieve the boredom" of media interviews and TV performances, Ball explained.

"I know that's a cliché, but it's a truism for a good reason, because it works for so many musicians."

Amidst the hedonistic lifestyle, the pair were also growing distant, but they succeeded to produce a follow-up memorable record - the unconventional, tense and aptly-titled The Art Of Falling Apart.

They released one more album, their 1984 release This Last Night In Sodom, before dissolving the group to concentrate on other projects.

Almond proceeded to have a prosperous solo career, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed dance music with ambient pop over a long-lasting partnership.

Later Work and Comebacks

Soft Cell reunited in 2001, producing the charting album Cruelty Without Beauty.

Following a further hiatus, they reappeared in recent years, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a final performance at the large venue on September 30, 2018.

However, they stayed active, recording their latest project, Happiness Not Included, during the 2020 Covid lockdown.

Ball lately characterized the band's upcoming release as a homage to the NYC nightlife they visited while making their initial records.

He noted that his period in hospital had shaped the group's music.

"I experienced unusual memories when I was coming and going of hospital because I was on morphine," he told a publication.
"Our latest tracks are a electronic representation of the noises in my mind from those days.
"In parallel, it's about the times we got up to in the 1980s."

The final mixes were finished only a short time before Ball passed away. It is scheduled for launch in the spring of 2026.

Written by

Barbara Moon

A seasoned fashion stylist with over a decade of experience in the industry, passionate about sustainable fashion and personal style.

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